
A | The countdown has officially begun for the sixth edition of the much-awaited Filmfare OTT Awards 2025, set to take place in Mumbai on December 15, 2025. As excitement builds for an evening dedicated to celebrating outstanding talent in acting, direction and technical artistry, Filmfare is now revealing this year’s nominations. Spanning 38 diverse categories, the list highlights the creativity, innovation and excellence, shaping India’s streaming landscape. With anticipation growing amongst creators and audiences alike, the announcement sets the stage for a memorable ceremony honouring exceptional contributions across the world of digital entertainment. Here are the nominations for Filmfare OTT Awards 2025: In This Article BEST SERIESBEST DIRECTOR, SERIESBEST ACTOR, SERIES (MALE): DRAMABEST ACTOR, SERIES (FEMALE): DRAMABEST SUPPORTING ACTOR, SERIES (MALE ): DRAMABEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMABEST ACTOR, SERIES (MALE): COMEDYBEST ACTOR, SERIES (FEMALE): COMEDYBEST SUPPORTING ACTOR, SERIES (MALE ): COMEDYBEST SUPPORTING ACTOR, SERIES (FEMALE ): COMEDYBEST STORY, SERIESBEST DIALOGUE, SERIESBEST ORIGINAL SCREENPLAY, SERIESBEST COMEDY (SERIES/SPECIALS)BEST (NON FICTION) ORIGINAL (SERIES/SPECIAL)BEST FILM, WEB ORIGINALBEST DIRECTOR, WEB ORIGINAL FILMBEST ACTOR, WEB ORIGINAL FILM (MALE)BEST ACTOR, WEB ORIGINAL FILM (FEMALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)BEST ADAPTED SCREENPLAY, SERIESBEST CINEMATOGRAPHER, SERIESBEST PRODUCTION DESIGN, SERIESBEST EDITING, SERIESBEST COSTUME DESIGN, SERIESBEST BACKGROUND MUSIC, SERIESBEST MUSIC ALBUM, SERIESBEST VFX, SERIESBEST SOUND DESIGN, SERIESBEST STORY (WEB ORIGINAL FILM)BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)BEST DIALOGUE, WEB ORIGINAL FILMBEST CINEMATOGRAPHER (WEB ORIGINAL FILM)BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)BEST EDITING (WEB ORIGINAL FILM)BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)BEST SOUND DESIGN (WEB ORIGINAL FILM)BEST SERIES BLACK WARRANT FREEDOM AT MIDNIGHT IC 814: THE KANDAHAR HIJACK KHAUF PAATAL LOK SEASON 2 THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE BEST DIRECTOR, SERIES ANUBHAV SINHA (IC 814: THE KANDAHAR HIJACK) AVINASH ARUN DHAWARE (PAATAL LOK SEASON 2) NAGESH KUKUNOOR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) NIKKHIL ADVANI (FREEDOM AT MIDNIGHT) PANKAJ KUMAR & SURYA BALAKRISHNAN (KHAUF) PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) VIKRAMADITYA MOTWANE, SATYANSHU SINGH, ARKESH AJAY, AMBIECKA PANDIT, ROHIN RAVEENDRAN(BLACK WARRANT) BEST ACTOR, SERIES (MALE): DRAMA AMIT SIAL (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) JAIDEEP AHLAWAT (PAATAL LOK SEASON 2) KAY KAY MENON (SHEKHAR HOME) ROSHAN MATHEW (KANKHAJURA) VIJAY VARMA (IC 814: THE KANDAHAR HIJACK) ZAHAN KAPOOR (BLACK WARRANT) BEST ACTOR, SERIES (FEMALE): DRAMA AADITI POHANKAR (EK BADNAAM AASHRAM S3 PART 2) MAANVI GAGROO (HALF LOVE HALF ARRANGED SEASON 2) MONIKA PANWAR (KHAUF) RASIKA DUGAL (SHEKHAR HOME) SAMANTHA RUTH PRABHU (CITADEL: HONEY BUNNY) SHABANA AZMI (DABBA CARTEL) BEST SUPPORTING ACTOR, SERIES (MALE ): DRAMA ANURAG THAKUR (BLACK WARRANT ) ISHWAK SINGH (PAATAL LOK SEASON 2) PARAMVIR SINGH CHEEMA (BLACK WARRANT) RAHUL BHAT (BLACK WARRANT) RAJAT KAPOOR (KHAUF) RAJENDRA CHAWLA (FREEDOM AT MIDNIGHT) BEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMA DIVYA DUTTA (BANDISH BANDITS SEASON 2) GEETANJALI KULKARNI (KHAUF) NIMISHA SAJAYAN (DABBA CARTEL) PATRALEKHAA (IC 814: THE KANDAHAR HIJACK) SHEEBA CHADHA (BANDISH BANDITS SEASON 2) TILLOTAMA SHOME (PAATAL LOK SEASON 2) BEST ACTOR, SERIES (MALE): COMEDY AMOL PARASHAR (GRAM CHIKITSALAY) BARUN SOBTI (RAAT JAWAAN HAI) GAJRAJ RAO (DUPAHIYA) JITENDRA KUMAR (PANCHAYAT SEASON 4) RAGHUBIR YADAV (PANCHAYAT SEASON 4) SPARSH SHRIVASTAVA (DUPAHIYA) BEST ACTOR, SERIES (FEMALE): COMEDY ANANYA PANDAY (CALL ME BAE) ANJALI ANAND (RAAT JAWAAN HAI) NEENA GUPTA (PANCHAYAT SEASON 4) PRIYA BAPAT (RAAT JAWAAN HAI) SHIVANI RAGHUVANSHI (DUPAHIYA) SUNITA RAJWAR (PANCHAYAT SEASON 4) BEST SUPPORTING ACTOR, SERIES (MALE ): COMEDY AKASH MAKHIJA (GRAM CHIKITSALAY) ASHOK PATHAK (PANCHAYAT SEASON 4) CHANDAN ROY (PANCHAYAT SEASON 4) DURGESH KUMAR (PANCHAYAT SEASON 4) FAISAL MALIK (PANCHAYAT SEASON 4) VINAY PATHAK (GRAM CHIKITSALAY) BEST SUPPORTING ACTOR, SERIES (FEMALE ): COMEDY AKANSHA RANJAN KAPOOR (GRAM CHIKITSALAY) ANJUMAN SAXENA (DUPAHIYA) GARIMA VIKRANT SINGH (GRAM CHIKITSALAY) RENUKA SHAHANE (DUPAHIYA) SANVIKAA (PANCHAYAT SEASON 4) SONALI KULKARNI (OOPS AB KYA?) BEST STORY, SERIES CHANDAN KUMAR (PANCHAYAT SEASON 4) CHIRAG GARG & AVINASH DWIVEDI (DUPAHIYA) PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) SMITA SINGH (KHAUF) SUDIP SHARMA (PAATAL LOK SEASON 2) VASANT NATH, NEHA VEENA SHARMA (ZIDDI GIRLS) BEST DIALOGUE, SERIES ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK) CHIRAG GARG & AVINASH DWIVEDI (DUPAHIYA) PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT) SMITA SINGH (KHAUF) SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST ORIGINAL SCREENPLAY, SERIES CHANDAN KUMAR (PANCHAYAT SEASON 4) PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) SMITA SINGH (KHAUF) SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST COMEDY (SERIES/SPECIALS) CALL ME BAE (COLIN D'CUNHA) DUPAHIYA (SONAM NAIR) GRAM CHIKITSALAY (RAHUL PANDEY) OOPS AB KYA? (PREM MISTRY & DEBATMA MANDAL) PANCHAYAT SEASON 4 (AKSHAT VIJAYWARGIYA & DEEPAK KUMAR MISHRA) RAAT JAWAAN HAI (SUMEET VYAS) BEST (NON FICTION) ORIGINAL (SERIES/SPECIAL) ANGRY YOUNG MEN (NAMRATA RAO) FABULOUS LIVES VS BOLLYWOOD WIVES SEASON 3 (UTTAM RAMKRISHNA DOMALE) FOLLOW KAR LO YAAR SEASON 1 (SANDEEP KUKREJA) IN TRANSIT (AYESHA SOOD) THE ROSHANS (SHASHI RANJAN) VIR DAS: FOOL VOLUME (VIR DAS) BEST FILM, WEB ORIGINAL AGNI CTRL GIRLS WILL BE GIRLS SECTOR 36 STOLEN THE MEHTA BOYS BEST DIRECTOR, WEB ORIGINAL FILM ADITYA NIMBALKAR (SECTOR 36) BOMAN IRANI (THE MEHTA BOYS) KARAN TEJPAL (STOLEN) RAHUL DHOLAKIA (AGNI) SHUCHI TALATI (GIRLS WILL BE GIRLS) VIKRAMADITYA MOTWANE (CTRL) BEST ACTOR, WEB ORIGINAL FILM (MALE) ABHISHEK BACHCHAN (KAALIDHAR LAAPATA) ABHISHEK BANERJEE (STOLEN) ISHWAK SINGH (BERLIN) MANOJ BAJPAYEE (DESPATCH) NAWAZUDDIN SIDDIQUI (COSTAO) PRATIK GANDHI (AGNI)R MADHAVAN (AAP JAISA KOI) VIKRANT MASSEY (SECTOR 36) BEST ACTOR, WEB ORIGINAL FILM (FEMALE) ANANYA PANDAY (CTRL) KRITI SANON (DO PATTI) PREETI PANIGRAHI (GIRLS WILL BE GIRLS) SANYA MALHOTRA (MRS) SHEEBA CHADHA (KAUSHALJIS VS KAUSHAL) TAAPSEE PANNU (PHIR AAYI HASSEEN DILLRUBA) YAMI GAUTAM (DHOOM DHAAM) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE) AVINASH TIWARY (THE MEHTA BOYS) DAIVIK BAGHELA (KAALIDHAR LAAPATA) DEEPAK DOBRIYAL (SECTOR 36) JITENDRA JOSHI (AGNI) SHAHEER SHEIKH (DO PATTI) SHUBHAM VARDHAN (STOLEN) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE) ARRCHITA AGARWAAL (DESPATCH) AYESHA RAZA (AAP JAISA KOI) KANI KUSRUTI (GIRLS WILL BE GIRLS) MIA MAELZER (STOLEN) SAIYAMI KHER (AGNI) SOHA ALI KHAN (CHHORII 2) BEST ADAPTED SCREENPLAY, SERIES ABHINANDAN GUPTA, ADWITIYA KARENG DAS, GUNDEEP KAUR & REVANTA SARABHAI (FREEDOM AT MIDNIGHT) ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK) CHANDAN ARORA, SANDEEP JAIN (KANKHAJURA) NAGESH KUKUNOOR, ROHIT BANAWLIKAR & SRIRAM RAJAN (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT) BEST CINEMATOGRAPHER, SERIES AVINASH ARUN DHAWARE (PAATAL LOK SEASON 2) EESHIT NARAIN (DABBA CARTEL) EWAN MULLIGAN & RAVI KIRAN AYYAGARI (IC 814: THE KANDAHAR HIJACK) PANKAJ KUMAR (KHAUF) SANGRAM GIRI (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) SAUMYANANDA SAHI (BLACK WARRANT) BEST PRODUCTION DESIGN, SERIES SUMIT BASU, SNIGDHA BASU, RAJNISH HEDAO (IC 814: THE KANDAHAR HIJACK) MUKUND GUPTA (BLACK WARRANT) MUKUND GUPTA (PAATAL LOK SEASON 2) NITIN ZIHANI CHOUDHARY (KHAUF) PAYAL GHOSE KAUL (THE ROYALS) PRIYA SUHASS, SURABHI VERMA (FREEDOM AT MIDNIGHT) SHRUTI GUPTE (DABBA CARTEL) BEST EDITING, SERIES AMARJIT SINGH (IC 814:THE KANDAHAR HIJACK) CHANDRASHEKHAR PRAJAPATI (GRAM CHIKITSALAY) FAROOQ HUNDEKAR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) MANAS MITTAL & PARIKSHHIT JHA (DABBA CARTEL) SANYUKTA KAZA (PAATAL LOK SEASON 2) TANYA CHHABRIA (BLACK WARRANT) TANYA CHHABRIA (KHAUF) BEST COSTUME DESIGN, SERIES AASTHA SHARMA (THE ROYALS) AYESHA DASGUPTA (FREEDOM AT MIDNIGHT) GOPIKA GULWADI (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) ROHIT CHATURVEDI (DABBA CARTEL) VISHAKHA KULLARWAR, JOE MANSOORI (IC 814: THE KANDAHAR HIJACK) BEST BACKGROUND MUSIC, SERIES ADITYA N. & NAYANTARA BHATKAL (THE ROYALS) ALOKANANDA DASGUPTA (KHAUF) ASHUTOSH PHATHAK (FREEDOM AT MIDNIGHT) NAREN CHANDAVARKAR & BENEDICT TAYLOR (PAATAL LOK SEASON 2) SOUUMIL SHRINGARPURE (BANDISH BANDITS SEASON 2) ALEX LAMY & RICHARD HARVEY (IC 814: THE KANDAHAR HIJACK) BEST MUSIC ALBUM, SERIES AKASHDEEP SENGUPTA (BANDISH BANDITS SEASON 2) ALEX LAMY & RICHARD HARVEY (IC 814: THE KANDAHAR HIJACK) ANURAG SAIKIA (PANCHAYAT SEASON 4) ANURAG SAIKIA, MADHUBANTI BAGCHI, AMARABHA BANERJEE, RAJ SHEKHAR, VARUN JAIN, ROMY (MISMATCHED SEASON 3) GAURAV RAINA & TARANA MARWAH (DABBA CARTEL) SHIVAM & ANUJ (YEH KAALI KAALI ANKHEIN SEASON 2) BEST VFX, SERIES DIPEN BHASKAR & VIVEK DEY (IC 814: THE KANDAHAR HIJACK) PHANTOM FX (KHAUF) YFX (YRF STUDIOS) (MANDALA MURDERS) BEST SOUND DESIGN, SERIES ANITA KUSHWAHA (IC 814: THE KANDAHAR HIJACK) BIGYNA DAHAL (KHAUF) KUNAL LOLSURE (BANDISH BANDITS SEASON 2) PRANAV SHUKLA (DABBA CARTEL) TONY BABU (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) VINIT D'SOUZA (PAATAL LOK SEASON 2) BEST STORY (WEB ORIGINAL FILM) AVINASH SAMPATH (CTRL) BOMAN IRANI & ALEXANDER DINELARIS (THE MEHTA BOYS) KARAN TEJPAL, GAURAV DHINGRA, SWAPNIL SALKAR (STOLEN) MADHUMITA (KAALIDHAR LAAPATA) RAHUL DHOLAKIA (AGNI) SHUCHI TALATI (GIRLS WILL BE GIRLS) BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM) AVINASH SAMPATH (CTRL) BODHAYAN ROYCHAUDHURY (SECTOR 36) BOMAN IRANI & ALEXANDER DINELARIS (THE MEHTA BOYS) RAHUL DHOLAKIA (AGNI) SHUCHI TALATI (GIRLS WILL BE GIRLS) BEST DIALOGUE, WEB ORIGINAL FILM ADITYA DHAR (DHOOM DHAAM) AMITOSH NAGPAL (KAALIDHAR LAAPATA) KANIKA DHILLON (PHIR AAYI HASSEEN DILLRUBA) RADHIKA ANAND & JEHAN HANDA (AAP JAISA KOI) SUMUKHI SURESH (CTRL) VIJAY MAURYA (AGNI) BEST CINEMATOGRAPHER (WEB ORIGINAL FILM) DEBOJEET RAY (AAP JAISA KOI) ISSHAAN GHOSH (STOLEN) K U MOHANAN (ISC) (AGNI) KRISH MAKHIJA (THE MEHTA BOYS) SAURABH GOSWAMI (SECTOR 36) SIDDHARTH DIWAN (ISC) (DESPATCH) BEST PRODUCTION DESIGN (WEB ORIGINAL FILM) SUMIT BASU, SNIGDHA BASU & RAJNISH HEDAO (AGNI) APARNA SUD (AAP JAISA KOI) AVYAKTA KAPUR (GIRLS WILL BE GIRLS) SHRUTI GUPTE (DESPATCH) SUBRATA CHAKRABORTY & AMIT RAY (SECTOR 36) YASHIKA GOR (CTRL) BEST EDITING (WEB ORIGINAL FILM) DEEPA BHATIA (AGNI) JAHAAN NOBLE (CTRL) MANAS MITTAL & SAMARTH DIXIT (DESPATCH) NAMAN ARORA & HEMAL KOTHARI (DO PATTI) A SREEKAR PRASAD (SECTOR 36) BEST BACKGROUND MUSIC (WEB ORIGINAL FILM) ARPAD BONDY (STOLEN) GULRAJ SINGH (THE MEHTA BOYS) JUSTIN PRABHAKARAN (AAP JAISA KOI) PIERRE OBERKAMPF (GIRLS WILL BE GIRLS) SHOR POLICE- CLINTON CEREJO & BIANCA GOMES (DHOOM DHAAM) SNEHA KHANWALKAR (CTRL) BEST SOUND DESIGN (WEB ORIGINAL FILM) DHRUV PAREKH (CTRL) PM SATHEESH & MANOJ M GOSWAMI (AGNI) PRASENJIT DAS, COLIN FAVRE- BULLE, CAROLE VERNER & LAURE ARTO (GIRLS WILL BE GIRLS) PRITAM DAS (DESPATCH) SUSMIT BOB NATH (STOLEN) Also Read: Filmfare OTT Awards 2025 - Winners, Nominees, and Highlights。 中新社北京8月25日电 题:一场聚焦长期主义的政绩校准 中新社记者 黄钰钦 今年春节假期后,一场以县处级以上领导班子和领导干部特别是“一把手”为重点的党内集中教育——树立和践行正确政绩观学习教育在中共全党开展。

B | 8月24日,中央党的建设工作领导小组召开会议指出,树立和践行正确政绩观学习教育目前已基本结束,同时强调,这次学习教育不是终点而是新的起点。

C | 中共中央总书记、国家主席、中央军委主席习近平近日作出重要指示强调,树立和践行正确政绩观是一项长期任务,必须久久为功。

D | 从整治“形象工程”“政绩工程”,到强调“功成不必在我、功成必定有我”,这场学习教育所指向的不只是工作作风,更是一场关于时间尺度的再校准。 政绩究竟应该在任期内尽快显现,还是可以留给时间来证明?是追求看得见的“显绩”,还是愿意为未来打基础、做铺垫的“潜绩”?这些问题,始终存在于中国的治理实践中。 英国48家集团俱乐部主席杰克·佩里告诉中新社记者,中国近年来不断强化一种理念,衡量成功不能只看短期表现是否亮眼,更要看政策是否真正增强国家长期实力、稳定性以及发展的质量。 巴西弗鲁米嫩塞联邦大学教授埃万德罗·卡瓦略也注意到这一变化。他认为,中国当前强调的正确政绩观,与过去单纯追求高速增长的逻辑有所不同,干部评价正在更多与生态保护、科技创新和民生改善等长期目标联系起来。“这不仅是绩效指标的调整,更是一种治理理念的转变。” 这种变化也有助于理解中国为何特别强调纠治急功近利、反对“寅吃卯粮”“击鼓传花”,倡导“甘于做铺垫性的工作,甘于抓未成之事”。 今年是“十五五”开局之年。

E | 从五年规划到2035年远景目标,中国在治理逻辑上始终强调将当前工作放在更长时间维度中考量。围绕“十五五”规划的一系列部署中,发展新质生产力、加强基础研究、布局未来产业等内容被反复提及。 “科学创新、先进制造、能源转型等领域的突破,都需要多年持续投入。”杰克·佩里认为,随着科技创新和产业变革加速,长期能力正在变得愈发重要。 一些海外媒体曾将此次学习教育形容为中国官场的“KPI重置”。

F | 这一说法并不完全准确,却捕捉到了外界观察到的一种变化:衡量干部表现的尺子正在变得更加多元,增长速度不是唯一答案。 美国库恩基金会主席罗伯特·劳伦斯·库恩则从制度层面进行观察。他告诉中新社记者,中国强调树立和践行正确政绩观,意味着各层级治理体系需要与中央确定的发展方向保持一致,从而确保长期战略能够持续推进。 当然,长期主义并不意味着忽视当下,恰恰相反,它要求治理者解决眼前的问题,同时不以牺牲未来换取今天的成绩。在解决现实问题时,为未来预留空间。 当前中国“十五五”已开局,未来如何在短期增长与长期发展之间保持平衡,如何把握好“显绩”与“潜绩”的关系,仍将持续考验各级治理者的智慧与定力。 当“显绩”与“潜绩”的考量进入干部考核、监督和日常治理,这场聚焦长期主义的政绩校准,本身也正从一次集中教育活动走向更长的时间轴。(完) 【编辑:何颖】。
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